Please use this identifier to cite or link to this item: https://ir.iimcal.ac.in:8443/jspui/handle/123456789/4536
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dc.contributor.authorRoy, Nandita
dc.contributor.authorMaity, Moutusy
dc.date.accessioned2023-07-09T07:14:51Z
dc.date.available2023-07-09T07:14:51Z
dc.date.issued2023-03
dc.identifier.issn0304-0941(print version)
dc.identifier.urihttps://ir.iimcal.ac.in:8443/jspui/handle/123456789/4536
dc.descriptionN. Roy, faculty, Business Ethics & Communication Group, Indian Institute of Management Calcutta, Kolkata, India | M. Maity Faculty of Social Sciences, Southampton Business School, University of Southampton, Southampton, UKen_US
dc.description'An Infinite Deal of Nothing’ - William Shakespeare, The Merchant of Venice (India: Bloomsbury Academic, 2010). Line 121, Act I, Scene I.
dc.descriptionp. 11-17
dc.description.abstractIn this short piece, we examine ChatGPT primarily through the lens of textuality and ponder upon the meaning, politics and construction of gener- ative text. Through this examination, we arrive at three broad ways to understand ChatGPT—information asymmetry, naturalness (or natural Interaction) and personal control. However, before we embark upon the textuality, we provide a short description of what ChatGPT is and how it works, which will hopefully help us better situate the analysis that follows.en_US
dc.language.isoen_USen_US
dc.publisherIndian Institute of Management Calcutta, Kolkataen_US
dc.relation.ispartofseriesVol. 50;No. 1
dc.subjectChatGPTen_US
dc.subjectNaturalnessen_US
dc.subjectInformation asymmetryen_US
dc.subjectPersonal controlen_US
dc.title'An Infinite Deal of Nothing’: critical ruminations on ChatGPT and the politics of languageen_US
dc.typeArticleen_US
Appears in Collections:Issue 1, March 2023

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